Firstly, thank you to
Racefh for the lovely critique
TQ: Since this is our first challenge with unlimited fandoms let's focus on that. How did you choose your fandom?
Haha, choose? There was no decision to make. I only write for CSI Miami, and if it weren't for EC I probably wouldn't even write. Boring, I know, but meh. I will probably expand into other fandoms... eventually. But, for now, I'm having fun with EC. There's just so much you can do with them. *nods*
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Critique
Title: Desolation Road
Author: Speed Cochrane
Before I begin, I just have to say this: Supernatural rocks my socks! *has a girly moment and drools over Dean*
Strong Points:
I liked how you threw us straight into the story with the very simple first line. Can't say why, exactly, but it just seemed rather effective to me. And the way you linked back to it in chapter three was also well done - it gave a little background.
Another thing I noticed was the dark humour you incorporated into it. It was very fitting as it's something Supernatural as a show does, too. And it made the story that much more engrossing. The thing about humour is it's a great tool with regards to rises and falls - you can build up an intense moment, only to diminish it with a simple humorous comment/thought/event. Sometimes using humour heightens the darkness of a situation, too. And I have to say, I did shout at the TV a little at the end of season three

so I think you handled the aftermath and Sam's emotions really well.
As for flow, you do it effortlessly. This is perhaps the thing that I'm most critical of when I read fics, but I have nothing to say about yours. Good job! Your descriptions are very intense, too. Which heighten the tension in your story and help to draw the reader in.
“Il vient lui obtenir,” some of them whispered.
“Er kommt, ihn zu nehmen,” others interjected.
Sam shook his head, obviously not getting through to whoever or whatever they were.
Usually, when using foreign languages in fics, people tend to just assume that the reader knows the translation, or simply just insert translations at the end of a chapter - something that I hate! If you're going to use another language(s), it needs to flow seamlessly with your prose - like it belongs there. You do this really well and even if you hadn't included the English voice of
"He's coming to take him," the ambiguity of the languages work brilliantly as Sam himself, our protagonist, doesn't understand, anyway. Plus it makes the situation more intense.
Between chapters two and three, I like that you didn't go into a massive in depth planning conversation on the behalf of Castriel, and that you just went straight into the action. Everything the reader needed to know you summed up in the first two paragraphs of chapter three.
The way you captured Dean was great, too. He's always walked on the dark side - so to speak - but Hell would definitely (obviously) have changed him. You portrayed his fear and confusion very well, and I even sensed a level of insanity. The entire situation was handled brilliantly.
As far as endings go, I thought this was a goody. You left it open for a continuation, whilst giving it a sense of finality, too. But a hopeful one. And it reinforced Sam's stubborn streak and his love for his brother.
Not so Strong Points:This part is thoroughly subjective - that's the problem with grammar. Yes, there are rules, but there are variations of the rules and so many different schools of thought. There were a couple of things I noticed that, for you, might not actually seem like anything. On the rare occasion where I did spot something, though, it was usually just a missing comma. Like here:
They thought all humans were stupid and insignificant and the lot that didn’t want to rip Sam to shreds liked to patronize him with games.
With regards to this bit here:
If only the motels he could afford had more than 3 channels.
For me, I don't like seeing numbers in prose - unless it's telling the time/decade. It's really stupid, and probably stems from my hatred of maths, but when I see a number in a fic I get images of text speak. Letters just flow better to me. But again, this is just opinion. There is no wrong or right method.
Something that always interests me is the way that you can use different words to say the same thing. For example, this bit here:
He’d known Sam to have visions, but they were caused by a demon hell-bent - for a lack of better words - on playing the human race like a fiddle
I would have used the expression - no pun intended - here. It seems to adopt that dry humorous tone you're going for better. Either way, though, your point comes across

.
When trying to reinforce onomatopoeia here:
SLAM. Sam’s eyes snapped open. He was suddenly back to Earth, staring at the grungy ceiling fan above his bed.
You've used capitals, which is something that I'm a bit 'iffy' about. I tend to
bold things when I want to make an impact like that - for the word
"Slam" it seems to give it more weight.
I've said it before, but when using ellipsis I think there should be a space after the "..." Purely to emphasise the pause/the hesitation/uncertainty. I would also have inserted a comma before "kid" to emphasise your later point about Sam hating being called that:
“Tell you what, kid, I’ll go find out some more information on this Castiel guy and you work on figuring out this… dream nonsense,”
When writing dialogue, again there are many different techniques. Some people like to put a character's action on one line and their speech on another; others put them on the same line. I don't think there is a right or wrong way - providing there is significant flow - but you've used both methods. I think it's important to pick one technique and stick to it. For example:
Sam tilted his head. He could have told him that.
“So then why were you trying to get a hold of me?” he asked, slightly irritated.
Sam frowned. “Not exactly. What the hell’s wrong with him?”
Like I said, neither way is incorrect, I just think it works better if you don't mix the two.
Conclusion:
None of the "not as strong points" that I commented on detracted in any way from your fic. It was really, really good, and up there with some of the best Supernatural fics I've read. I thought your charcaterisation was spot on, and you handled a delicate situation brilliantly. Fantastic job!
Proof-read carefully to see if you any words out.